The essence of sculpture is to project and endow the spirit, with a sense of being, it is to radiate and project a plethora of human allegories, often bridging space, time and location - a matter that escapes vernacular and revitalizes the soul. The nature of service is to determine and solicit the needs of the populace. The viewer transitions from the actor to the protagonist when both disciplines coalesce. Intimate engagements with functional sculpture often take place as familiar gestures. Sitting, standing, leaning, lurching. Prompts and bodily acts of millennia within the public forums and the privacy of domestic and sacred dwellings. Each contact with the material is a composite of the senses alighting to sensory elation. Be it temperature, colour or surface. A sense of what we are, and what we are not. An affirmation of our connection to material, to location, to the inanimate and intangible qualities of the self. It is a rarity to engage with the rhythm of sculpture, and service through the remit public space, at a pace that projects the inflections of a globalized society. A society that is often connected through digital surfaces, rather than physical locations. Soliciting both matters is a mediation of modernity. It is to deeply understand the intimacy and cadence of a geographic fractal connection between the physical and the channel of thought we share. Design District is an aperture of sorts. A funnel into an optimistic projection of what public space has the capacity to become. A compounding of values, enabling expression, aesthetics and trade to coalesce. Simply put, the design district encapsulation of expression, service and essence.