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Southern Guild

Zizipho Poswa

Mam'uNoSekshin, 2023

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Zizipho Poswa

Designer

Zizipho Poswa is a Cape Town-based sculptural artist whose large-scale, hand-coiled sculptures are bold declarations of African womanhood. Born in 1979 in the town of Mthatha, Poswa was raised in the nearby village of Holela in the Eastern Cape province of South Africa. She went on to study surface design and graduated from the Cape Peninsula University of Technology. In 2005, she and fellow ceramicist Andile Dyalvane opened their studio, Imiso (meaning "tomorrow") Ceramics. Poswa’s work for Southern Guild explores her personal experience and heritage in monumental sculptural pieces. Her debut solo, iLobola, comprised 12 ceramic and bronze sculptures paying homage to the spiritual offering at the heart of the ancient African custom of lobola, or bride-wealth – the cow. Her second solo, uBuhle boKhokho (Beauty of Our Ancestors), drew inspiration from the elaborate art of hairstyling practised by Black women across the African continent and diaspora. The series of 24 monumental ceramic and bronze sculptures was accompanied by a series of photographic portraits of the artist, who collaborated with a hair stylist to recreate some of the most iconic styles on herself. Poswa’s third solo exhibition – her debut presentation in the United States – opened in Tribeca, New York City at Lee Mindel’s Galerie56 in May, 2023. iiNtsika zeSizwe (The Pillars of the Nation) featured Poswa’s first body of all-bronze sculptural forms. With their exuberant shapes and resplendent patinas, these sculptures further expanded on Poswa’s thematic interest of the traditional act of umthwalo. For the exhibition, Poswa journeyed to her home village of Holela to photograph a series of striking portraits embodying this traditional practice. The seven sculptural works elevate to heroic status the daily rituals carried out by African women across the continent. Poswa’s work is in the collections of the Metropolitan Museum of Art, Los Angeles County Museum of Art (LACMA), Philadelphia Museum of Art and the LOEWE Foundation, as well as important private and corporate collections around the world.

Exhibited at DESIGN MIAMI.LA 2024 The name Sekshin is a phoneticisation of the English word ‘section’. Mama uNoSekshin’s husband, like many men in the community, works in the mines to financially provide for his family. When a bride is welcomed into the groom’s family, they are given a name that carries particular significance. Her gifted name refers to the particular section of the mine in which her husband works. The load depicted in this sculpture is a bundle of oranges which, though not commonly farmed in the region surrounding Poswa’s village, are a fairly inexpensive and nutritious fruit frequently available at the local market.

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